IMMATERIAL
                 
                
             
            
            
                
 IMMATERIAL
 An assemblage of fragments, forming itself out of the substance of a the
                    material memory and unforming itself back into it. Vibrating as a contact zone of a multipicity of
                    worlds, never fully known, impossible to assimilate. A movement of decay manifesting for brief moment in
                    space as an exponential movement, as an in between and its dissolution. 
 a project by 4E: Franziska Lyon,
                    Johanna Heilig, Justus Lietzke, Kosmas Dinh 
                
                
             
            
            
                
 STUTTGARTER STRAßE 
 We discover a dissolving place. A former garden spot near the
                    center of Karlsruhe, that has to be demolished because of war load in the ground. We want to
                    remember. The focus lies on the memories that find no place in official archives. How can we reveal
                    the processes of change and decay? To understand we look at the material itself. Which insights can
                    the fracture of a burnt beam or the patina of an old chimney pipe open up for us? By many the empty
                    sheds on the site were used as housing. Which objects do they consider worth remembering? 
                
                
                
             
            
            
            
                
 EMMA-JÄGER BAD 
 Through the process of sorting we grasp the Fragments. We catalyse
                    connections and dependencies between them and with the new context of the swimminghall. For the
                    time-span of three days the material assemblage takes on the form of an exponential movement. Due to
                    legal building regulations in the swimminghall only a few people were able to see the installation
                    in its physical form. During these days we continue the exploration by recording sounds directly
                    from the fragments which later are matched with recordings form the site and are turned into a sound
                    environment with our friend Firat Yildiz. 
                
                
             
            
            
             
          
            
            
            
            
            
                
  For the presentation of „immaterial“ we developed an exhibition
                    concept that featured the virtual tour of the installation from the swimming hall but also extended
                    the constellations of fragments into yet another context. Alongside, the exhibition presented
                    contextualising video works that gave insight into the events and encounters at the former garden
                    spot in its last days. 
a project by Kosmas Dinh, Franziska Lyon, Johanna Heilig, Justus
                    Lietzke 
                
                
             
            
                    
                         
 THE RING CONSTELLATIONS
 Constellations of fragments, forming itself out of the
                            substance of memory and exchange, and dissolving back into it. The tactile process of
                            sorting the fragments, for us, was a very essential part to grasp the information contained
                            in the material. Through the installation the visitors became part of a continuous sorting
                            process. An evolving exchange between the material memory, the visitors and other visitors,
                            that took part in the process. 
                        
                        
                     
                  
                    
                    
                    
                        
 LA LUCRU
 The vacancy on the site had been used as shelter by many for several
                            months. LA LUCRU gives insight into an encounter that does not stop at the failure of
                            speech. The people in whose reality we get a glimpse of in the short documentary, show
                            incredible hospitality in the precarious circumstances of the last days before the
                            demolition of their home. The, at times hermetic at other times poetic, images focus on
                            these shared and very honest moments of human warmth in the face of uncertainty. 
                        
                        
                        
                     
                    
                    
                    
                        
 CLOSING PERFORMANCE 
 As one day friends from the ballet came by to visit the
                            exhibition and they immediatley approached the ring installation with a lot of sensibilty
                            and interest, the visit turned into a collaboration very organically. For the closing of the
                            exhibition we invited them to use the ring installation as a frame for a performance. A
                            continutation of the forming and unforming and a final exchange between the material, the
                            dancers and the visitors who took part in hanging and moving the fragments.